Selected Publications by Martin Mueller

 


1. Nachleben of Greek epic and tragedy

"Pathos and katharsis in Samson Agonistes." ELH 31 (1964): 156-74.

"Sixteenth-century Italian criticism and Milton's theory of katharsis." Studies in English Literature 6 (1966): 139-50.

With Horst Frenz. "More Shakespeare and Less Aeschylus in Eugene O’Neill’s Mourning Becomes Electra." American Literature 38 (1966): 85-100.

"Paradise Lost and the Iliad." Comparative Literature Studies 6 (1969): 292-316.

"Time and redemption in Samson Agonistes and Iphigenie auf Tauris." University of Toronto Quarterly 41 (1972): 227-45.

"The truest daughter of Dido: Racine's Bérénice." Canadian Review of Comparative Literature 1 (1974): 201-17.

"Walter Benjamin’s Ursprung des deutschen Trauerspiels und Thomas Mann’s Dr. Faustus." Archiv für neuere Sprachen, 210 (1973): 327-330.

"Ancient and modern tragedy: Reflections on recent critical studies." Yearbook of Comparative and General Literature 20 (1971): 48-56.

Children of Oedipus and other essays on the imitation of Greek tragedy, 1550-1800. Toronto: University of Toronto Press, 1980.

"Hofmannsthal’s Elektra and its ancient models." Modern Drama 29 (1986): 71-91.

2. Homer

"Knowledge and delusion in the Iliad." Mosaic 3 (1970): 86-103.

The Iliad. The Unwin Critical Library. London: George Allen & Unwin, 1984.

With Ahuvia Kahane, Craig Berry, and Bill Parod. The Chicago Homer: a bilingual database of Early Greek Epic. Distributed by the Northwestern University library from http://www.library.northwestern.edu/homer

3. Shakespeare

"Turnus and Hotspur: the political adversary in the Aeneid and Henry IV." Phoenix 23 (1969): 278-90.

"Hermione's wrinkles or Ovid transformed: An essay on The Winter's Tale." Comparative Drama 5 (1971): 226-39.

"Shakespeare's Sleeping Beauties: The sources of Much Ado About Nothing and the play of their repetitions in Shakespearean drama." Modern Philology 91 (1994): 288-311.

"From Leir to Lear." Philological Quarterly    (1994), 195-217.

"Plutarch's "Life of Brutus" and the play of its repetitions in Shakespearean drama." Renaissance Drama 22 (1991): 47-93."

Hamlet and the world of ancient tragedy." Arion 5 (1997): 22-45.

4. General criticism

"Yellow stripes and dead armadilloes: Some thoughts on the current state of English studies." ADE Bulletin 92 (1989): 5-12.

"Redrawing the boundaries: Skeptical thoughts about literary studies." The Centennial Review 38 (1994): 603-22.

"Endurance and contingency." Salmagundi 88 (1990): 435-54.

"Memory and Technology: literary studies after the millennium." Centennial Review 41 (1997): 83-101.

Selected reviews

Robert Fitzgerald's translation of the Iliad." Canadian Review of Comparative Literature 6 (1974): 428-35.

Elaine Scarry, The Body in Pain." Triquarterly 66 (1985): 221-25.

Herbert Lindenberger. Opera: The Extravagant Art." Canadian Review of Comparative Literature 15 (1984): 111-14.

Ian Donaldson. The Rapes of Lucretia. A Myth and Its Transformations and John Warden, ed. Orpheus. The Metamorphoses of a Myth." Canadian Review of Comparative Literature 13 (1986): 116-20.

Thomas M Greene. The Light in Troy: Imitation and Discovery in Renaissance Poetry." Canadian Review of Comparative Literature, 13 (1986): 484-87.

Wye J. Allanbrook, Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni." Canadian Review of Comparative Literature 14 (1987): 154-58.

"Recent Studies in the Nachleben of classical literature." Canadian Review of Comparative Literature 16 (1989): 161-69.

David Quint. Epic and Empire: Politics and Generic Form from Virgil to Milton. Canadian Review of Comparative Literature 20 (1994): 491-497.